😏
Line-up Fuse
Line-up is niet compleet.
| 1Area 1 |
|---|
DEG house, techno, retro |
| 2Area 2 |
Handless DJ techno, house, reggae |
Pierre techno |
Statistieken
| 1 |  | geïnteresseerd |
| 564 |  | bezoekers |
| 406 | | geïnteresseerd |
Coeur (BE, Silo)
Deg
ROOM 2 - BEYOND #3
Deg
ROOM 2 - BEYOND #3
→ lees meer
ROOM 1
Âme live (DE, Innervisions)
Nathan Oye (BE, Bruxsel Jardin)
Coeur (BE, Silo)
Deg
ROOM 2 - BEYOND #3
Trevino (UK, Revolve:r)
Society Of Silence (FR, Versatile)
Handless Dj (BE, HNL Beyond)
Pierre
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ÂME
After a long night of dancing, many night club patrons leave the venue with a certain track stuck in their heads. But for Âme, the DJ/production duo of Kristian Beyer and Frank Wiedemann, the tunes lodged in their brains are the ones they didn't hear, ones not yet written that would fit perfectly in their sets. Since 2003, Beyer and Wiedemann have penned songs that once existed just outside club- goers' imagination, songs that boldly combined floor-filling elements with conceptual conceits while maintaining their visceral appeal. As part of Innervisions, the collective/label they run with Dixon, Âme (pronounced "AHM") offer glimpses of the future of electronic music through their live project, genre-melding compilations, and an independently run shop that completes the connection between artist and admirer. In a genre obsessed with reliving the past, Ame are focused on what's still to come.
The partnership was formed in their hometown of Karlsruhe where Wiedemann first crossed paths with Beyer in 2001 at the latter's record shop, Plattentasche. Bonding over Chicago house, Detroit techno and much else besides, the duo joined forces in 2003 to produce seminal deep house platters for Sonar Kollektiv, many of which were collected on the duo's selftitled debut album. Intent on not repeating themselves, Ame splintered their established sound and found a more nimble, compositional approach that yielded their scene-conquering single, "Rej." Not content to rest on their laurels as the tune made the rounds on Defected Records and many others, the pair teamed up with Dixon and Henrik Schwarz in 2006 for another instant classic, "Where We At," featuring Derrick Carter's stirring vocals.
It would've been understandable if Beyer and Wiedemann had further pursued the sound which brought them such acclaim, but for Ame the appeal is in breaking down influences and songwriting habits in order to craft something new. Without attachments to particular methods and patterns, the duo was free to develop an overarching view of what dance music could be and pursue it through various moods, timbres and even genres. But if one stylistic point shines through it's the group's penchant for orchestral instrumentation and composition, albeit deconstructed and enmeshed in vintage synth tones and spectral vocal samples. From the waltzing prototechno of "Fiori," a key movement in Ostgut Ton's ballet score, Shut Up and Dance! Updated, to the gargantuan brass tearing through the wildpitch strings of "Enoi," their work simultaneously evokes the conceptual ardor of John Cage or Tony Conrad and the dance floor thrust of DJ Pierre or Underground Resistance.
Âme 's ability to fuse together seemingly disparate influences is greatly informed by their talents as DJs. Not given to fulfilling trends, their sets draw upon the whole of dance music's history and keep them in great demand around the world. Their regular nights at such establishments as Robert Johnson (Frankfurt), Fabric (London), Trouw (Amsterdam), Lux (Lisbon), and Air (Tokyo) are exceeded only by their marathon sets during Innervisions nights at their beloved Panorama Bar (Berlin). Those awaiting the opportunity to experience an A?me DJ or live set have been well cared for as well, as the pair have captured their curating skills on mix CDs for Sonar Kollektiv, NRK Sound Division and Fabric, as well as the landmark survey of historical minimalism, The Grandfather Paradox compilation done in collaboration with Dixon and Schwarz. Ame are set to follow this achievement with a periodspanning mix all their own, Primary Structures.
http://www.residentadvisor.net/dj/ame
https://soundcloud.com/ame
https://www.facebook.com/ame.innervisions
:::::
TREVINO
“In order to make oneself better, stronger, more accomplished, you have to put yourself into new situations.”
This is the sentiment of hydra-headed veteran producer, promoter and label boss, Marcus Intalex, on yet another of his musical incarnations – Trevino – a new and fresh mononym, functioning as an outlet for his 120 -130bpm-range house-techno creations, which – just as he has always done as an artist – go their own way, regardless of expectation or reaction.
The Trevino guise has been nominated for ‘Best Producer’ in the 2012 DJ Mag Awards. A prestigious achievement for the project and one that is certain to propel the music to new audiences and platforms.
(you can vote HERE)
Marcus always retained a deep connection to house and techno. Heavy influence came from across the water as records by the late eighties Detroit sound of the Belleville Three, Carl Craig, Underground Resistance, and Drexiya filtered through to the Manchester record shops and onto Marcus’ turntables. As Trevino, this influence is clear throughout the body of his work. With one eye on his roots and one set firmly looking forward, he has managed to carve out a sound that is entirely relevant today, as he himself admits, “ influenced by everything I’ve been into over the years. Everything I’ve ever believed in.”
http://www.residentadvisor.net/dj/trevino
https://soundcloud.com/marcusintalex
:::::
SOCIETY OF SILENCE
What happens when you put two techno-obsessed producers in a room together with a bunch of computer hardware and analogue tools for an extended period of time? We’d like to think something much deeper than just a psychedelic listening experience.
Benoît Legrain, after his debut Loud Vacuum EP under his BNY alter-ego. at first sight when we saw the waves crash and transform before our eyes and put us into a sort of waking REM hypnosis. In a matter of only a few heartbeats, we dove into a deal with the duo and released another first with French friends Benoît Legrain and Nicolas Villebrun setting themselves off in a series of chain-reactions, galvanizing audiences with their new S.O.S. sound.
On the other side of the synthesizer, artist Nicolas Villebrun is no stranger to the music industry. Known for his guitar work in the electro pop-rock group Poni Hoax, Nick brings an entirely different set of skills to their live electronics project with his experience in live music. Quickly identifying themselves in 2006 with their debut hit Budapest ― produced by nu-disco giant Joakim and released on his very own Tigersushi label ― Poni Hoax exploded in clubs worldwide after being announced the same year in Pitchfork’s Top 100.
The Society Of Silence sound seems to act as a catalyst in a complex creative process involving two complementary sets of influences and psyches, curing into something much more concrete when combined, and with support from artists like Anthony “Shake" Shakir, strong reviews in Resident Advisor, and live concerts for Warp, these two wise-guys continue to win the hearts and souls of producers and DJs alike
New single “Matin Noir" sees them once again exploring the techno expanse, this time backed by a stunning remix from Ukrainian producer, Vakula.
http://societyofsilence.tumblr.com
https://soundcloud.com/societyofsilence
http://www.residentadvisor.net/dj/societyofsilence
https://partyflock.nl/artist/131602
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
9 Euro before 00h / 13 Euro after 00h
Âme live (DE, Innervisions)
Nathan Oye (BE, Bruxsel Jardin)
Coeur (BE, Silo)
Deg
ROOM 2 - BEYOND #3
Trevino (UK, Revolve:r)
Society Of Silence (FR, Versatile)
Handless Dj (BE, HNL Beyond)
Pierre
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
ÂME
After a long night of dancing, many night club patrons leave the venue with a certain track stuck in their heads. But for Âme, the DJ/production duo of Kristian Beyer and Frank Wiedemann, the tunes lodged in their brains are the ones they didn't hear, ones not yet written that would fit perfectly in their sets. Since 2003, Beyer and Wiedemann have penned songs that once existed just outside club- goers' imagination, songs that boldly combined floor-filling elements with conceptual conceits while maintaining their visceral appeal. As part of Innervisions, the collective/label they run with Dixon, Âme (pronounced "AHM") offer glimpses of the future of electronic music through their live project, genre-melding compilations, and an independently run shop that completes the connection between artist and admirer. In a genre obsessed with reliving the past, Ame are focused on what's still to come.
The partnership was formed in their hometown of Karlsruhe where Wiedemann first crossed paths with Beyer in 2001 at the latter's record shop, Plattentasche. Bonding over Chicago house, Detroit techno and much else besides, the duo joined forces in 2003 to produce seminal deep house platters for Sonar Kollektiv, many of which were collected on the duo's selftitled debut album. Intent on not repeating themselves, Ame splintered their established sound and found a more nimble, compositional approach that yielded their scene-conquering single, "Rej." Not content to rest on their laurels as the tune made the rounds on Defected Records and many others, the pair teamed up with Dixon and Henrik Schwarz in 2006 for another instant classic, "Where We At," featuring Derrick Carter's stirring vocals.
It would've been understandable if Beyer and Wiedemann had further pursued the sound which brought them such acclaim, but for Ame the appeal is in breaking down influences and songwriting habits in order to craft something new. Without attachments to particular methods and patterns, the duo was free to develop an overarching view of what dance music could be and pursue it through various moods, timbres and even genres. But if one stylistic point shines through it's the group's penchant for orchestral instrumentation and composition, albeit deconstructed and enmeshed in vintage synth tones and spectral vocal samples. From the waltzing prototechno of "Fiori," a key movement in Ostgut Ton's ballet score, Shut Up and Dance! Updated, to the gargantuan brass tearing through the wildpitch strings of "Enoi," their work simultaneously evokes the conceptual ardor of John Cage or Tony Conrad and the dance floor thrust of DJ Pierre or Underground Resistance.
Âme 's ability to fuse together seemingly disparate influences is greatly informed by their talents as DJs. Not given to fulfilling trends, their sets draw upon the whole of dance music's history and keep them in great demand around the world. Their regular nights at such establishments as Robert Johnson (Frankfurt), Fabric (London), Trouw (Amsterdam), Lux (Lisbon), and Air (Tokyo) are exceeded only by their marathon sets during Innervisions nights at their beloved Panorama Bar (Berlin). Those awaiting the opportunity to experience an A?me DJ or live set have been well cared for as well, as the pair have captured their curating skills on mix CDs for Sonar Kollektiv, NRK Sound Division and Fabric, as well as the landmark survey of historical minimalism, The Grandfather Paradox compilation done in collaboration with Dixon and Schwarz. Ame are set to follow this achievement with a periodspanning mix all their own, Primary Structures.
http://www.residentadvisor.net/dj/ame
https://soundcloud.com/ame
https://www.facebook.com/ame.innervisions
:::::
TREVINO
“In order to make oneself better, stronger, more accomplished, you have to put yourself into new situations.”
This is the sentiment of hydra-headed veteran producer, promoter and label boss, Marcus Intalex, on yet another of his musical incarnations – Trevino – a new and fresh mononym, functioning as an outlet for his 120 -130bpm-range house-techno creations, which – just as he has always done as an artist – go their own way, regardless of expectation or reaction.
The Trevino guise has been nominated for ‘Best Producer’ in the 2012 DJ Mag Awards. A prestigious achievement for the project and one that is certain to propel the music to new audiences and platforms.
(you can vote HERE)
Marcus always retained a deep connection to house and techno. Heavy influence came from across the water as records by the late eighties Detroit sound of the Belleville Three, Carl Craig, Underground Resistance, and Drexiya filtered through to the Manchester record shops and onto Marcus’ turntables. As Trevino, this influence is clear throughout the body of his work. With one eye on his roots and one set firmly looking forward, he has managed to carve out a sound that is entirely relevant today, as he himself admits, “ influenced by everything I’ve been into over the years. Everything I’ve ever believed in.”
http://www.residentadvisor.net/dj/trevino
https://soundcloud.com/marcusintalex
:::::
SOCIETY OF SILENCE
What happens when you put two techno-obsessed producers in a room together with a bunch of computer hardware and analogue tools for an extended period of time? We’d like to think something much deeper than just a psychedelic listening experience.
Benoît Legrain, after his debut Loud Vacuum EP under his BNY alter-ego. at first sight when we saw the waves crash and transform before our eyes and put us into a sort of waking REM hypnosis. In a matter of only a few heartbeats, we dove into a deal with the duo and released another first with French friends Benoît Legrain and Nicolas Villebrun setting themselves off in a series of chain-reactions, galvanizing audiences with their new S.O.S. sound.
On the other side of the synthesizer, artist Nicolas Villebrun is no stranger to the music industry. Known for his guitar work in the electro pop-rock group Poni Hoax, Nick brings an entirely different set of skills to their live electronics project with his experience in live music. Quickly identifying themselves in 2006 with their debut hit Budapest ― produced by nu-disco giant Joakim and released on his very own Tigersushi label ― Poni Hoax exploded in clubs worldwide after being announced the same year in Pitchfork’s Top 100.
The Society Of Silence sound seems to act as a catalyst in a complex creative process involving two complementary sets of influences and psyches, curing into something much more concrete when combined, and with support from artists like Anthony “Shake" Shakir, strong reviews in Resident Advisor, and live concerts for Warp, these two wise-guys continue to win the hearts and souls of producers and DJs alike
New single “Matin Noir" sees them once again exploring the techno expanse, this time backed by a stunning remix from Ukrainian producer, Vakula.
http://societyofsilence.tumblr.com
https://soundcloud.com/societyofsilence
http://www.residentadvisor.net/dj/societyofsilence
https://partyflock.nl/artist/131602
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
9 Euro before 00h / 13 Euro after 00h