pagina 28 · Beste speedcore nummer ooit

Wat is jullie beste speedcore nummer ooit...??

mijne is

Legionz ov hell - A torch for satan....!!!!!

laatste aanpassing 4 februari 2005 22:49

Uitspraak van Dr. Eppo op woensdag 11 april 2007 om 07:51:
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Dr. Eppo - Exorcist

ook samples uit de Exorcist

jaja die had ik tijdje terug al eens gehoord op je site inderdaad. wel lekkere track is dat ook.

Beste blijft die FoF

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Uitspraak van Dr. Eppo op zondag 18 maart 2007 om 15:11:
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Komprex - Jump Yourself

the destroyer - french toast
bonehead - from the netherlands
plague - suck my dick

Akira - 8 Bit No Shit

Speedcore?

Uitspraak van SK002 op dinsdag 10 april 2007 om 21:22:
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lekkere track ja

lekker???

gruwelijk

Bakalla - Weichcore

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Uitspraak van Painetration op vrijdag 4 februari 2005 om 22:48:
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Wat is jullie beste speedcore nummer ooit...??

Gabba Front Berlin - Lacrima Mosa Est

Stickhead - Your Own Death

Stickhead - Closer To Death

Uitspraak van Painetration op vrijdag 4 februari 2005 om 22:48:
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Legionz ov hell - A torch for satan....!!!!!

Zoiezo alles van legionz ov hell!

Amp - Demonix

ScreamerClauz - Killed O'Donovan

Hellz army - White alert

Splatter - Untitled Mayhem

gho der zijn er zoveel goeie e

ma al die wa ze hier al gezegt hemme zen vree goe

Uitspraak van KleinSpeedcoreTerroristje op dinsdag 17 april 2007 om 22:22:
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gho der zijn er zoveel goeie e
ma al die wa ze hier al gezegt hemme zen vree goe

Bone Head - Hunt For The Weak

Neurocore - Oublie Tes Illusions

laatste aanpassing 21 april 2007 15:34

maar in principe maakt die Frenchcore !

Bij mij valt het onder speedcore...flashcore als je echt wilt gaan neuken

Uitspraak van verwijderd op zaterdag 21 april 2007 om 16:07:
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Bij mij valt het onder speedcore

idd

en wat is flashcore dan btw

zag het ook al bij IHT staan

laatste aanpassing 21 april 2007 17:40

een heel geil nr is dit

egnal ramd - until she rots!

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Uitspraak van verwijderd op zaterdag 21 april 2007 om 17:39:
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en wat is flashcore dan btw

Flashcore?
Interview with LA PESTE

LA PESTE, owner of the Hangars Liquides record label, is an electronic music composer/producer who's works comprise of experimental sounds with Hardcore-esque elements. A true musical artist, La Peste defines his work as 'Flashcore', opting for his own brand of noise which he releases through his Hangers Liquides label in France. With his recent performance in Glasgow casuing such a stir we tracked him down to ask the man a few questions on what it is that he does so well....

1. So La Peste, how long have you been making music for and where did this fascination for experimental sounds come from?
As a child I was singing to myself kind of 'violent' ritournelles inspired by the Atlantic ocean, war aircrafts, or thunderstorms. I followed the Conservative courses, but it ended in depressing me by realizing it'd take so many years to have an orchestra playing my imaginary works. With the democratization of electronic music in the early 90's, I realised I could hear the soundscapes I dreamt of with no intermediaries, and this was a true revelation. By the end of 1996, my 1 Gb macintosh hard drive was mostly occupied by files generated on sound edit... But my very first solo published track was released two years later. I am fascinated by unexpected sounds, since I believe the only way to reach a contemplative state is to feel detached from the object of our thoughts. If something is integrated by our representation schemes, however, we cannot freely let our mind fly. That's what happens when you hear a voice in a track, if you're high - you can't stay.

2. You've been quite bold in your choice of musical direction by tackling the often discredited styles of Hardcore and Experimental Electronica, what is it about this kind of music that appeals to you?
There is a word used to describe sounds from which you cannot tell where they come from : acousmatique. To me it's like the gravitationnal force of a black hole, there are no lights at all around it, and I am attracted into it, absorbed by the energy of the unknown.

3. Do you feel an attachment to the European Hardcore scene or would you regard yourself as more of an experimental artist?
I feel european, from a socio-historico-psychanalogical standpoint, but that's all, I have nothing to do with the "European Hardcore scene". What does this mean ? I don't know. Two weeks ago I was told that sometimes in the UK, Hardcore refers to something I'd personnaly call fast dance. In France, what they call Hardcore has become a big fluffy cheesy gabberised shit, with pseudo dark (very funny imo) anthems. 10 years ago I remembered moments during parties where people were wondering what the fuck was happening to them, because of the audio waves reaching their virgin souls, it was then used to say : "that's hardcore". Now this word is overused, as is breakcore btw, it refers to anything that is supposed to be harder than something else (?). This is well too vague for describing things. The word experimental is generally used to qualify a scientific procedure, I'm not in a computer science student approach. Call it avant-garde or anything else, it is an artistic CHOICE - even if the sound results are sometimes far out of my expectations. As a live musician or a composer, each second I must wonder what is my intention.

4. I'm sure many people ask you this but could you maybe explain to us what is 'Flashcore', and what would you like people to take away from your particular brand of music?
Flashcore is the name I'd give to a sound art that relies on the computer’s increasing speed to go beyond the idea of musicality with the ambition of moving air molecules to widen the field of consciousness. Music is thought as a mental/spatial experience, experimenting the possibilty to travel multidimensionnally, opening or closing spaces which do not necessarily fit with an euclidean representation. Also, whilst the aesthetics of power electronics or sound installations rarely integrate the time factor, duration is an essential dimension in flashcore. I tried to tell it with my words at the HL website opening page. I believe the Universe itself is a miracle, there could have been nothing instead. Being astonished by the infinite complexity of the universe is, to me, the best way not to fear death. I want the music I release to celebrate the beauty of that complexity. If it works on people, then I am really happy. Flashcore is made to be wasted.

5. Your label, Hangars Liquides, has made quite an impression on people around the globe, where would you like the label to progress in the next few years?
Horizon is too wide and complex that it would lead to mistakes to follow one only direction. HL has not any marketing plan.

6. Are there any producers/labels that are impressing you just now?
My masters are : François Bayle, Bernard Parmegiani, Iannis Xenakis, György Ligeti...

7. What's your opinion on the European Hardcore, or at least the Speedcore, scene at the moment?
To my ears, most speedcore is definitively too basic. I'm not interested either into pseudo-arty broken bits. It's a pitty when the audience is getting trapped into poor music sequences.

8. Your performance the other week at The Big Joint here in Glasgow was (IMO) amazing. How important is performing live to you and what do you use for your sets (hardware/software I mean)?
Live is essential to me when comes a moment music is broadcast on a big sound system, with people gathering to celebrate the emergency of life. At that specific time, I think it's a an imposture to "play" something pre-programmed. I feel it as an existential obligation to give a real live performance. To do so, I use Ableton's live that I configure so that it allows me to really play it, as a meta-patch packed with audio and midi data feeding customised plug-ins and virtual synths. I like to use flexible softs, such as bidule, which allow me to have a tweakable matrix with extensive modulation capacities. I spend quite a lot of time designing patches to turn my live set into an instrument I can 'fly' with the ambition of going at the place I dream of at specific moment in time. Everything fits in a powerbook, a firewire audio interface and 2 usb controllers. I have never brought kyma on stage, but I plan to do so at the end of the summer.

9. I hear you're staying/working in Glasgow at the moment, how are you finding life in Scotland? What do you think about the electronic music scene here?
I was in Fort William in fact. I wished I could have had time to at least climb the Ben Nevis, but I did not. When travelling from there to Glasgow by train, I discovered how beautiful those landscapes are. I would really like to come back and play at an open-air concert in the Highlands! I've seen much more of Loch Line's marine life than the pubs, in fact I can't tell you much more... I expected the weather to be much colder, in fact I found it quite warm to be honest, in comparision to a winter in the Pyrennees - where I live. I have no idea about the Scottish electronic music scene, I guessed it's mainly a club scene, isn't it ?

10. Have you tried Buckfast yet?
I did not !

Big thanks to Monseuir La Peste for taking time out to answer my Q's

For more information on La Peste you can visit his label's website @ www.hangars-liquides.com

Interview by Flood, March 2006
© 2006 scottishhardcore.co.uk - No un-authorized nicking

Cool interview ja, maar hieronder staat het bekende flashcore stukje

FLASHCORE :

What we call flashcore is basically what we're on actually... ///

Computer's increasing speed leads to more and more powerful audio softwares. This has forced some composers to put their music into question - while other composers (the mainstream ones) use those sharper tools but only to re-create the same patterns since years.
It's time to actually rethink music as something that clearly goes beyond the idea of harmony and rythm.
We are actually much more interested in any action on air molecules that widens the field of consciousness than into music thought as an end in itself.
What is trully interesting with the new generation of available softwares is the possibilty to shorten the time it takes for mental images to come and to invent new forms of mental representations. For instance, real-time morphing tools can open new ways of exploring the intracacies of our faculty to associate some ideas with others, as well as granular synthesis has allowed time to be thought as nothing more than a subjective possibilty : nothing more than the length we wish it to last.

Flashore is the spatial and temporal conception of air landscapes of which ' sonic atoms' (=the smallest particle of sound which is thought as an entity in itself) are being controlled with the exclusive aim of making us explore our minds.
As for atomic energy or drugs action, we are reaching a point where it's possible to provoke nano-audio-explosions with quite some big results for the minds.

What's the meaning of beauty ?

La Peste - Hangars Liquides

Bijna alle shit van Darkfreak.

Uitspraak van verwijderd op dinsdag 24 april 2007 om 12:28:
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maar hieronder staat het bekende flashcore stukje

dan weet ik eindelijk wat het is

bedankt

laatste aanpassing 24 april 2007 16:37

Raw State - Relax

Passenger Of Shit - Guts Fucking

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Uitspraak van Painetration op vrijdag 4 februari 2005 om 22:48:
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beste speedcore

bestaat niet

Gabba Front Berlin - Lacrima Mosa Est

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dan ga ik toch voor een nummer van POS... welke weet ik nog niet,

Uitspraak van Dhr. Avada op vrijdag 13 juli 2007 om 17:44:
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dan ga ik toch voor een nummer van POS... welke weet ik nog niet,

Guts Fucking

Uitspraak van verwijderd op vrijdag 13 juli 2007 om 16:53:
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Lacrima Mosa Est

Das wel een hele grote traan

De mijne:
Noisekick - Darkpower (Dat ritme

)

op dit moment

la peste - bmwtc

Komprex - Not Venial Sin

The untitled vs. Noisekick - Idols 666?

Het topic begint weer een beetje te leven

Uitspraak van verwijderd op vrijdag 13 juli 2007 om 16:53:
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Gabba Front Berlin - Lacrima Mosa Est

alles van gabba front is heilig

Lord Lloigor - Ray Of Darkness

Uitspraak van Bryan op donderdag 12 april 2007 om 23:54:
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Amp - Demonix

geniaal nummer

Terrorist Kriss - S02

Uitspraak van Dr. Eppo op vrijdag 13 juli 2007 om 17:51:
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Guts Fucking

Stick Dick In Concrete

Ik heb niet echt 1 bepaalde speedcore track die ik het beste noem maar deze zijn wel erg vet en blijven ze ook:

D.O.A- New York Speedcore
U.V.C- Death Is....
Joey Jupiter- Body Partz
DJ Fistfuck- Never Say Goodbye

Om er een paar te noemen, er zijn er nog meer die hier bij horen maar heb nu geen zin om dat allemaal neer te zetten.

Uitspraak van Edutainment op donderdag 19 juli 2007 om 12:03:
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Stick Dick In Concrete

die is gruwlijk

Frazzbass and Komprex - Deadly Pale Terrorism

tis wel een hele rustige maar van dit nr krijg ik kippenvel(van elk nr eigenlijk wel maar deze is heel apart)
gabba front berlin-lacrima

Lacrima Mosa Est.

Komprex - fuck the female race ook wel leuk.

Uitspraak van verwijderd op zaterdag 5 februari 2005 om 00:40:
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Gabba Front Berlin - Speedcore Lacrima