Het "Early-liefhebbers in opstand - forum".

on the scene of Leontin Voigt Abilgaard's - to some knowns as Taciturne - way too-early-suicide, one question remained: where were the olekrapp archives?
investigators could not find them even though they thoroughly checked everything on the event's scene.
rumors about 2 or 3 men entering his place shortly before this tragic happening spread fast. but, no matter how much energy was used for this investigation, the olekrapp archives remained not to be found. rumor was that even private and government agencies used some spare time to set some light into this; for whatever reason. but again, no result.
this all changed in late 2014. a corpse in a junkyard in toyko was found. this person looked like a mix between a rocker, a punk and a high tech engineer. some claimed it was Flavio Flavione, the professional agency killer. other's said it was Ivor Wadrolavski, a promising scientist, that was shunned by a post-soviet goverment, and indulged in private studies from then on, whose objective remained unknown.
but what made this case even more special, was that a plastic bag of chrome cassettes was found in his possession. when an ancient tape recorder was finally found in toyko, the content of the cassettes was transferred to modern computer systems. the officials, the scientists could not believe what they saw! it was the ole krapp archives.
for over a year, it was carefully avoided to leak any bit of these news and events to the outside press, and was just passed on by government and shadow-government officials alike. yet, for whatever cause, the repercussions soon set in. a fire bombing was attempted on the secret laboratory where the olekrapp cassettes were stored. scientists involved in this case were found hanging dead from monuments in tokyo. poisoned flowers were sent to the policeman that discovered the body first.
who was behind this? why were the olekrapp archives considered so special? what mystery did they hide, in their encrypted ways; a scientific breakthrough? a transdimensional message? a dark secret at the bottom of western civilization? who was involved in this; secret police, special agents, crime organisations, elite computertech groups?
another lead that was followed was the case of Yiyamoto Moto, the infamous japanese prodigy, who is supposed to have been a key factor in exchanging the mona lisa with a fake one inside the louvre; by being the painter, who painted the imitation, when being eight years old! could he also be responsible for forging the ole krapp archives on an emulated amiga? this, too, is not sure.
so, indeed not much is known - yet. but what is known, is that after these attempts at the destructions of the original tapes, the special agency saw only one solution; to make all the content available on the internet for a while.

As Nasenbluten proceeded to get busy throughout 1993, there was a lot of time spent between the full length cassette 'albums' experimenting with new ideas and samples. These experiments were sometimes recorded to cassette and listened to repeatedly on tape decks located well away from the hardware, to try and ascertain if any of the ideas had legs (without the distraction of the sequencer visuals). Some did, a lot didn't.

Occasionally these recorded cassettes would be given a 'dEAdGirL Limited' catalogue number and dubbed off in an extremely limited quantity over the top of major record company promotional tapes of similar length. The cassettes were then sold through C&C Records Newcastle as 'filler' between the release of Nasenbluten's full length cassettes. The dEAdGirL Limited series tapes were usually limited to well under 15 copies, with the second in the series (Nasenbluten's 'Football EP') being released in a quantity of 1 (which was actually put on the shelf and sold at C&C Records).

This, the third in the series from later in 1993, contains a combination of actual finished tracks in demo form, and 'live' sequencer jams between a bunch of partially-finished zero patterns which were clearly works in progress.

'Letting Off' exists here in a 1993 demo version. It would later be slightly reworked for Nasenbluten's 1994 full length cassette album 'I'll Make Them Pay'. Both Newlands and Lubinski fingerprints are all over this version.

'Oh Dear' was an ill-conceived experiment attempting to parlay a pre-Nasenbluten dEAdGirL track into some sort of breakbeat hardcore mutation. The track isn't even sequenced correctly here and appears on the cassette as a 'live jam' series of rolling zero patterns and random samples, with the channels manually being switched in and out between patterns. A great example of an idea that had no legs and was junked, thankfully never to be completed.

'Thermonuclear War' initially appeared on Nasenbluten's first ever cassette 'Transient Ischemic Attack' earlier in 1993. It's here in a 'live' experimental form, being arseholed around with manually just to see what ridiculous tempo changes might sound like.

'Crops' appears here as a rough 1993 demo version. It was later 'finessed' and appeared on Nasenbluten's Bloody Fist 1995 full length cassette 'We've Got The Balls'.

'60 Minute Egg' also appeared earlier in 1993 on 'Transient Ischemic Attack', and was recorded again here in a short rolling zero pattern 'jam' with channels being pulled in and out of the mix in real time, until the tape ran out.
credits
released December 1, 1993

DGL003 is a series of partially failed Newlands '93 experiments. Lubinski sounds like he probably had a hand in this version of 'Letting Off' as well. It's been captured here direct from a 'retail' copy of the cassette originally sold through C&C Records, and kindly supplied by Newcastle resident BF collector Jason Gillett. There are some tape dropouts and sonic artifacts, and no cleaning up was done. It's free to download but if you feel like throwing some cash our way it will be spent on beer. Guaranteed.