Believe me... The passion is still there and i know i can make a decent track, but it's still the quality that nails me. And then you should know that after listening your brand new track a couple of times, you become a bit of tone-deaf ( I got that every time ) and all you hear is a good track and you can't lay your finger on the faulty spots, if you know what i mean.
If you write an article it's the same thing. You can check, doublecheck, triplecheck, etc it but at a certain point your perception capacity becomes saturated and you just read over the faults instead of noticing them. And if you have a deadline you just can't leave it for a while until your mind is fresh again...
Interesting dicussion indeed. And nice to see the explanation of CristianAoF. It makes the choices indeed more understandable. Although not everything may be agreed upon by the reader/recipient.
As a musiclover (and just a 'consumer' instead of a (bedroom)DJ or producer) I was also dissapointed with the way the Mad Dog album is. The album is not so bad to listen to, but I'd rather have had the full length tracks to listen to (or at least album versions - not really full length but with a 'normal' intro/outro). The way it is now it feels more like a mixtape to me than an album from an artist. But I know now that I have to wait for the full length tracks.
I still have the AoF/MT album on my mp3-player (and the 2CD release in my CD-rack) and I still enjoy listening to it. Perhaps I am just one of the 'Mohicans' who actually buys a CD when her or she likes it or the artist.

I like to have something physical with a booklet with artwork etc, not just only a CD-R.
Well we can see that the musicscene is now adapting to the new situation with the internet where copies can spread very fast. That has 2 sides: music can really spread worldwide and new markets can be opened. But selling music gets harder when 'free' copies can be obtained very easily. The focus is changing now from selling music to increasing revenues from bookings/concerts and selling merchandise.
In February Markus Schulz was interviewed for the Veronica Magazine (a tv-mag with also articles about music, artists, cars, games and the comic Dirk-Jan

) and I find this quote exemplaric for the developments: "Previously you did a tour to promote your album. Nowadays you make an album to promote your tour. That's a whole different approach to making music."
(the quote in Dutch (as it appeared in the magazine):
"Vroeger deed je een tour om je album te promoten. Tegenwoordig maak je een album om je tour te promoten. Dat is een heel andere benadering van muziek maken.")