LVWZ

In Montreal's ever-growing bass music scene, LVWZ is quickly rising through the ranks toward the top. If you're wondering why, just ask anyone who has been to one of his shows. LVWZ takes his audience on an auditory journey, building a distinct cyberpunk universe while simultaneously pummeling listeners with track after track of apocalyptic bass.

LVWZ –a Quebecois born and raised– discovered electronic music at a really young age, pulled in by the pioneering works of Daft Punk, Infected Mushroom, Deadmau5, Justice, The Chemical Brothers and many more. At 16, He took his love for the genre to the next level, dedicating his free time to learning production and synthesis.

LVWZ began shaping his brand in 2018, largely focusing his sound toward electro house. The producer spent much of the year entering remix competitions and releasing unofficial remixes to help turn LVWZ into a recognized name. From there, He began developing his signature mid-tempo sound (influenced by the works of Porter Robinson, Shadient, Xavi, BTSM, Justice, 1788-L and Madeon), leading to songs like "Revolution," "God" and the Synesthesia Records - released slammer "Electron."

2019 has undoubtedly been monumental for LVWZ, kicking off the year with official remixes for Crimson Child and Too Kind, and only moving up from there. LVWZ has been booked for several live shows throughout the year; as direct support for Black Tiger Sex Machine, Chime, Ray Volpe, L.U.X, Aweminus, Ecraze, Calcium including a couple headline gigs and a spot at Montreal's AIM festival with acts like Getter, ATLiens, Mantis, Code: Pandorum, LSDream, Oolacile, Hi I'm Ghost and many more.