😏
Line-up Fuse
Line-up is niet compleet.
Arno Brehme techno |
DEG house, techno, retro |
Pierre techno |
Statistieken
| 3 |  | bezoekers |
| 3 | | geïnteresseerd |
| 1258 |  | bezoekers |
| 308 | | geïnteresseerd |
| geen | stemresultaat (1 stem) |
Ruff, rugged and raw. Mentioning Marcel Dettmann as well as his feeling for and vision of electronic music, his way of dealing with it, is impossible without these attributes. Whether you take his DJ sets (Marcel has been made a resident DJ at the old Ostgut and also at Berghain from the very start), Dettmann’s productions for the self-conducted MDR label, his remixes for the likes of Fever Ray, Junior Boys, Modeselektor as well as Scuba, or if nothing else his debut long player for Ostgut Ton into account, all the various contrasts and distinctions that come with it are manifested in these qualities.
→ lees meer
ROOM ONE
▔▔▔▔▔▔
♦ MARCEL DETTMANN
♦ Answer Code Request
♦ A. Brehme
♦ Pierre
♦ Deg
▔▔▔▔▔▔
♦ MARCEL DETTMANN (MDR, DE)
Ruff, rugged and raw. Mentioning Marcel Dettmann as well as his feeling for and vision of electronic music, his way of dealing with it, is impossible without these attributes. Whether you take his DJ sets (Marcel has been made a resident DJ at the old Ostgut and also at Berghain from the very start), Dettmann’s productions for the self-conducted MDR label, his remixes for the likes of Fever Ray, Junior Boys, Modeselektor as well as Scuba, or if nothing else his debut long player for Ostgut Ton into account, all the various contrasts and distinctions that come with it are manifested in these qualities.
Techno as Marcel Dettmann defines it, is neither a movement without history nor wistful nostalgia. In the hands of the Berliner, the well-known game of hi-hats, bass lines and kick drums draws its tension and momentum from a historically grown tradition and the conscious decision to break the rules. Reformation and solid construction outplays the use of any gimmicks. Dettmann pours Detroit’s oil into European engines, puts British bass music under the control of Chicago’s very own Jack, cuts classics with abstract nuances and connects yesterday with tomorrow and today. In the unrelenting manner of a great DJ, he generates moods and connections that are age- and classless, but never irrelevant or tasteless. Marcel Dettmann links up the art of improvisation with careful preparation and finally gives techno some of its often painfully missed serious physical constitution back.
♦ ANSWER CODE REQUEST (Ostgut Ton (OFFICIAL), DE)
When Answer Code Request’s first EP suddenly hit the shelves of Berlin’s seminal record store Hard Wax in 2011, speculation across the web took up instantly. Was this another incarnation of affiliated Techno stalwarts, like Marcel Dettmann or Shed? A lot of people were very sure it had to be, even if further discussion seemed to agree that the music contained on this mysterious 12” would mean a bold redesign, as it was quite a different beast. Sure, there was the industrial punch, heavy groove and fierce determination associated with the Berghain sound and Ostgut Ton’s artists, but then again there were so many unfamiliar layers and signatures. It merged Berlin’s Techno heritage with Detroit melancholia, the heyday of UK’s “Artificial Intelligence” and the rhythmic innovations of the most current bass music, and ended up with a sound original and fresh. A musical concept that was so significantly different to what was already happening, that it was indicating the fact that this was not an established artist testing new grounds, but a new artist emerging to be that very new ground, and nothing less.
▔▔▔▔▔▔
SATURDAY 31.01.15
23.00 - 07.00
Fuse
Rue Blaesstraat 208 - Brussels
www.fuse.be
before midnight: 9€ // after midnight: 14€ // Tickets excl. fee: 11,5
▔▔▔▔▔▔
♦ MARCEL DETTMANN
♦ Answer Code Request
♦ A. Brehme
♦ Pierre
♦ Deg
▔▔▔▔▔▔
♦ MARCEL DETTMANN (MDR, DE)
Ruff, rugged and raw. Mentioning Marcel Dettmann as well as his feeling for and vision of electronic music, his way of dealing with it, is impossible without these attributes. Whether you take his DJ sets (Marcel has been made a resident DJ at the old Ostgut and also at Berghain from the very start), Dettmann’s productions for the self-conducted MDR label, his remixes for the likes of Fever Ray, Junior Boys, Modeselektor as well as Scuba, or if nothing else his debut long player for Ostgut Ton into account, all the various contrasts and distinctions that come with it are manifested in these qualities.
Techno as Marcel Dettmann defines it, is neither a movement without history nor wistful nostalgia. In the hands of the Berliner, the well-known game of hi-hats, bass lines and kick drums draws its tension and momentum from a historically grown tradition and the conscious decision to break the rules. Reformation and solid construction outplays the use of any gimmicks. Dettmann pours Detroit’s oil into European engines, puts British bass music under the control of Chicago’s very own Jack, cuts classics with abstract nuances and connects yesterday with tomorrow and today. In the unrelenting manner of a great DJ, he generates moods and connections that are age- and classless, but never irrelevant or tasteless. Marcel Dettmann links up the art of improvisation with careful preparation and finally gives techno some of its often painfully missed serious physical constitution back.
♦ ANSWER CODE REQUEST (Ostgut Ton (OFFICIAL), DE)
When Answer Code Request’s first EP suddenly hit the shelves of Berlin’s seminal record store Hard Wax in 2011, speculation across the web took up instantly. Was this another incarnation of affiliated Techno stalwarts, like Marcel Dettmann or Shed? A lot of people were very sure it had to be, even if further discussion seemed to agree that the music contained on this mysterious 12” would mean a bold redesign, as it was quite a different beast. Sure, there was the industrial punch, heavy groove and fierce determination associated with the Berghain sound and Ostgut Ton’s artists, but then again there were so many unfamiliar layers and signatures. It merged Berlin’s Techno heritage with Detroit melancholia, the heyday of UK’s “Artificial Intelligence” and the rhythmic innovations of the most current bass music, and ended up with a sound original and fresh. A musical concept that was so significantly different to what was already happening, that it was indicating the fact that this was not an established artist testing new grounds, but a new artist emerging to be that very new ground, and nothing less.
▔▔▔▔▔▔
SATURDAY 31.01.15
23.00 - 07.00
Fuse
Rue Blaesstraat 208 - Brussels
www.fuse.be
before midnight: 9€ // after midnight: 14€ // Tickets excl. fee: 11,5